20 Hand Signals for Choir Directing (and How to Use Them)
Gospel choirs don’t read music; they read the director!
When you’re conducting a choir performance, the main way you communicate with the choir is with your hands.
Effective use of hand signals is a vital skill for any choir director.
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Here are some of the things you communicate with hand signals while conducting a choir
Since gospel choirs don't sing from sheet music, they don't always sing a song exactly the same way every time. They may do a different number of repeats, or do the parts of the song in a different order from one performance to another. Because of this, the director's hand signals are important for telling:
- Which passage in the song the choir is about to sing (the verse, chorus, bridge, etc.)
- Which section of the choir should sing right now (sopranos, altos, tenors, or basses)
- When you want to end a particular passage
- When you want them to repeat something
- When a key change or an inversion is coming.
Hand signals can also remind the choir of things they already learned in rehearsal, but it doesn't hurt to refresh their memories. Things like:
- What words are coming up next
- The shape of the melody they're singing
- When to sing unison and when to sing in harmony
Showing the choir which portion of the song you want them to sing next
The first level of signals you’ll give to your choir are the ones telling them which passage of the song they are about to sing:
1: For the “top” or opening section of the song — Pat the top of your head, or your forehead.
2: For a lead verse — Point at the lead singer. If there are two or more verses, point to the lead singer first, then hold a number to indicate which verse you want them to sing.
3: For a chorus — Form a letter “C” with your hand.
4: For the bridge (the middle section of the song) — I form something that looks like a letter “T” with my two hands. It reminds me of a bridge.
5: For the vamp (repeating chorus) — Hold up your hand with your fingers crossed.
6: For the end of the song (or the end of a certain passage) — Hold up a closed fist.
To help you picture these, the video below demonstrates the hand gestures. (Except the signal for a chorus, I forgot to put that one in. Sorry.)
With hand signals, your timing is important!
Any signals you give to your choir should be given with plenty of advance time. Signal the next passage of the song, the key change, the ending, several beats before it's actually going to happen. Everyone will know to keep on singing whatever they're on right now, but they will be ready for what's coming next.
A good choir director needs to be thinking a little bit ahead of the singers and the musicians to keep everything going smoothly.
Hand signals for more details in the song sequence
The next level of signals deals with the smaller details that happen within one section of the song, like little repeats and things like that. Some gestures you can use for giving those details are:
7: For repeats — Cycle your hands around each other like a wheel turning.
8: To come out of a section after you’ve been repeating — Point behind you (over your shoulders) with your thumbs.
9: Counting down to come out of a repeating section — Indicate the numbers with your fingers and count down . . . 4 . . . 3 . . . 2 . . . 1 . . .
10: When you want the choir to be silent — Hold your closed fists tight against your chest. You can also lower your head slightly.
11: To repeat just the final line of a song (this is a common way to end songs; it’s called a deceptive cadence) — This is a sign that I made up. I form an “L” with the thumb and index finger of one hand, then with my other hand do a circular motion around it (like a “repeat” signal).
All of these gestures are shown in this video:
How to make your signals most effective
- You want to make sure that your signals are clear and each signal that you use is different from the others. If you signal a letter "V" to mean "verse", will the choir know that it's a V, or will they think it's the number 2? I recommend not using signals that look like numbers
- Make sure that you position yourself so that everyone in the choir and all of the musicians can see your hands.
Hand signals that tell the choir HOW to sing a passage
These are signals for taking the choir through key changes, inversions, changes in volume, and giving other guidance:
12: “Sing quietly” — Use hand motions that are close to your body and keep them small.
13: “Sing loudly” — Use broad gestures, open your arms out wide.
14: If you only want one section of the choir to sing — Point at that one section, just like you would point at a lead singer.
15: Unison vs. Harmony — If the choir has been singing in unison and it’s time to switch to 3-part harmony, hold out three fingers on your hands, with the fingers pointing toward the choir, and extend your hands out to the sides a little bit.
16: Modulation (key change) — Motion “up” with your index finger.
17: Inversion — Form “L” shapes with both hands, with your thumbs pointing toward each other. Then, with a slight upward movement, flip your hands so that your thumbs are pointing toward the ceiling.
18: If one section of the choir isn’t singing loud enough — Point to that section, then point to your ear.
All of these signals are demonstrated in this video:
Hand signals that help put the polish on the choir’s performance
One of the things a choir director wants is for the choir to sing with precision, and there are some signals you can give with your hands that will help bring that about:
19: Sometimes when I’m directing I’ll use hand movements to follow the shape of the melody the choir is singing (moving my hand(s) up when the notes goes up and down when the notes go down). This reminds the choir of how the melody goes, but more importantly (I think), it keeps everyone in sync with each other. Your hand motions can be a visual guide that keeps everyone on the rhythm of the song together.
20: Another way to make the choir’s singing more precise is to make sure that everyone begins and ends their notes at the same time. On a long note, keep your hand(s) open for as long as the note is being sustained, and then close your hand(s) when the note should be ending.
You can see both of these hand movements (and some of the other movements we’ve discussed) in this video of a live performance. At the 0:20 mark, there is a phrase with a long note at the end, and you can see the signal of closing the hands so that everyone ends the note together. And there is a lot of using the hands to follow the shape of the melody throughout the song. Using very pronounced gestures with this helps keep everyone together on the rhythm. In the final passage of the song, you can also see me do the signal for an inversion (look for it at 2:49 and 3:01).
Try using real sign language sometimes!
I've found real sign language (ASL) to be very useful sometimes during directing. More than anything, it can be a helpful reminder for the choir at those places in a song where it's easy to forget what lyrics come next.
For example, one of the choirs I direct sings "King Of Love" by Hillsong. On the first verse, some of the singers have trouble remembering which word comes first -- "marvelous" or "wonderful". When we sing that part, I do the ASL sign for the letter "M" first, to remind them that the first thing they say is "You're marvelous". Then, at the next section, I sign the letter "W" for them to sing "You're wonderful".
Other signs that have come in handy during some of our songs include the signs for "love", "heal", "and", "yes", and others. It's a very good alternative to mouthing words to them to tell them what's coming next.
Even if the members of the choir don't know sign language, during rehearsal you can teach them the couple of signs that you plan to use during a particular song.
If you want to learn a few signs, there are sign language books that are written specifically for church ministry.
Practice makes perfect!
You know what? When I was younger and just getting into choir directing, I spent hours of time by myself doing "thin-air conducting". I would listen to my choir recordings and practice doing all the hand motions, just the way I would if I were really in front of a choir. I recommend it highly!
The most important thing is for you and your choir to understand each other
You don't necessarily have to use the same signals as any other director. What matters most is that the choir you work with understands whatever signals you use and is able to go wherever you're trying to take them.
Poll on Hand Signals
Are hand signals used effectively in your choir's performances?
More info about the fundamentals of choir directing
Before you’re ready to stand in front of your choir and conduct them there’s a lot of planning and preparation that goes on. My “Guide to Directing a Gospel Choir” page covers the most important skills that a choir director needs to develop.
Questions & Answers
What do I do if I want the choir to sing louder?
If the choir is singing too softly, I will sometimes point to my ear which means, "I can't hear you". On the other hand, if they have been singing fine so far, but we're going into a different part of the song that is supposed to be louder than what came before, then I will just use "bigger" body language (bring my arms out wider and higher when I'm directing) to show that it's time to go big with their singing.Helpful 2
To keep time in choir singing, is it appropriate to pop your finger as a director?
Yes, I do it all the time in rehearsals!Helpful 4
How do you signal for the choir to sing A Capella?
If I want the musicians to stop playing, I turn in their direction and give them a "closing my fist" signal. This tells them to "Stop".
Then, when I want them to start again, I give a gesture that is like the way you would motion your hand toward yourself to tell someone to enter a room -- "Come in".
During rehearsals it is important to tell the musicians to remember to keep their eyes on you so that they notice signals that you make toward them.Helpful 3
How do you communicate a swap in parts through choir direction hand signals?
Do you mean when the tenors go up to the alto part and the altos go up to the soprano part? That's called an "inversion". Video #3 shows the signal I use for an inversion.Helpful 2