Forgotten Hard Rock Albums: Black Sabbath, "Seventh Star"
Black Sabbath Featuring Tony Iommi - SEVENTH STAR (Warner Bros., 1986)
I think that most everyone will agree that Black Sabbath invented Heavy Metal as we know it. Their ear splitting, doom-laden odes to War Pigs, Sweet Leaves, and Paranoia ruled the 1970s, but drugs and egos slowly tore them apart. By the early '80s, Sabbath was considered "washed up," as former frontmen Ozzy Osbourne and Ronnie James Dio moved on to successful solo careers which quickly outshined their Blackened former home.
Guitarist Tony Iommi tried to keep the Sabbath flame burning, with mixed results. 1983's Born Again featured Ian Gillan of Deep Purple fame on vocals and enjoyed some mild chart success, but Gillan jumped ship for a Deep Purple reunion as soon as the Born Again tour was finished. After a brief reunion set by all four original Sabbath members at the massive "Live Aid" charity concert in summer '85, the band was officially put "on hiatus." Tony Iommi began work on his first-ever solo album, which was to be titled Seventh Star.
Iommi hired a crew of high-powered studio musicians to help bring Seventh Star to fruition, including bassist Dave "The Beast" Spitz (older brother of Anthrax guitarist Dan Spitz) and drummer Eric Singer (who would later go on to successful stints with Alice Cooper and KISS). Tony's original plan for Seventh Star was to feature a variety of guest vocalists, each singing one of the album's tracks. However, scheduling conflicts eventually led him to scrap that idea and utilize Glenn Hughes (ex-Deep Purple and Trapeze) on vocals for the entire album. (Tony would later revisit the "one album with many singers" concept on his 2000 solo disc Iommi, which featured vocal contributions from Henry Rollins, Peter Steele, Serj Tankian and Phil Anselmo, among others.)
When it was completed, Tony's Seventh Star was a much slicker, more melodic disc than most Sabbath platters....which became a problem when the suits at Warner Bros. Records refused to release it as an Iommi solo album, insisting that Tony attach the Black Sabbath name to it.
"No Stranger To Love"
Trouble In Paradise
Tony knew that it would be a mistake putting the Black Sabbath name on an album that sounded nothing like Sabbath, but he was forced to bite the bullet. Seventh Star was released in January of '86 with the unwieldy heading "Black Sabbath Featuring Tony Iommi" splashed across its front cover...and the album was pretty much doomed from the moment it hit record store racks. Long time fans scoffed at the unfamiliar faces in the "new" lineup, and assumed that Tony was trying to squeeze the last bit of juice out of the Sabbath name for his own benefit. To make matters worse, Warner Brothers chose the bluesy ballad "No Stranger To Love" as the first single. The track's synths and commercial pop-metal/AOR vibe absolutely mortified Sabbath diehards. (Useless trivia: the moody, black and white video for "No Stranger..." starred a young Denise Crosby, of future Star Trek: The Next Generation fame.) Seventh Star debuted in the top 30 in Sabbath's native U.K., but came in at a paltry #78 in America before sliding off the U.S. Billboard chart altogether.
Given the amount of behind-the-scenes drama that went into the creation of Seventh Star, it should be no surprise that the tour quickly developed into a disaster of Spinal Tap proportions as well. Glenn Hughes only performed five shows before getting his face re-arranged in a bar fight, which left him swollen and unable to sing. Hughes was sent home and a then-unknown New Jersey singer named Ray Gillen was hired to fill in for the remainder of the tour. (Gillen would go on to a measure of fame several years later in the blues-rock band Badlands, with former Ozzy guitarist Jake E. Lee.) The vocalist switch was probably for the best, because Hughes has famously said of his brief Sabbath tenure, "Glenn Hughes singing in Black Sabbath is like James Brown singing in Metallica. It just doesn't work." By all accounts, the Gillen-fronted version of Sabbath was a surprisingly strong musical unit that put on some tight live shows, but In the end it really didn't matter. Even with then-hot young opening acts like W.A.S.P. and Anthrax added to the bill in an attempt to boost ticket sales, the Seventh Star tour was met with massive fan disinterest, half filled venues and numerous cancellations.
When the smoke cleared, Seventh Star was denounced as one of Black Sabbath's worst albums, and it ranked at or near the bottom of their catalog in fan and critic polls for years after its release.
Live With Ray Gillen:
When I first heard Seventh Star as a teen in 1986, I didn't know what to make of it. I was still pretty much a noob when it came to Black Sabbath at that time -- I owned Born Again and I knew the Ozzy-era songs that got play on classic rock radio like "Paranoid" and "War Pigs," but that was about it. Even to a clueless adolescent like me, Seventh Star certainly didn't sound like Black Sabbath -- or at least, it didn't sound like what I thought they should sound like. I was expecting big, doomy, depressing slabs of Birmingham steel and what I got was slick, Sunset Strip hard rock with occasional dips into AOR. After a few listens I decided that the album "sucked," pawned it off on my local used record store, and I didn't bother investigating more of Black Sabbath's rich catalog till years later. (I know, I know...sometimes I wish I could reach back in time and slap myself.)
In the decades since Seventh Star's release, however, a cult phenomenon began to arise. Just as KISS' disastrously-received 1981 rock opera Music From The Elder slowly built a following over the years, the passage of time was similarly kind to Seventh Star. Those who missed out on the album the first time around began discovering it via the Internet, and old fans who'd dismissed it back in '86 re-assessed it and said, "This isn't as bad as I thought."
I include myself in that second group. I recently re-acquired Seventh Star on CD and now that I've had 25 years to learn about the strange circumstances regarding its creation, I'm digging the album much more than expected. Glenn Hughes turns in a strong performance throughout and the album has a number of catchy tracks like the driving opener "In For the Kill" and "Turn to Stone." Yeah, "No Stranger To Love" still sounds like a Whitesnake B-side, but Iommi turns in some awesome six string wailing throughout the otherwise lightweight song. The title track is probably the most "Sabbathy" song on the album with its ponderous themes of cosmic extraterrestrial doom, while "Danger Zone" and the Deep Purple-esque "Angry Heart" are both strong '80s style hard-rock songs. "Heart Like a Wheel" runs a bit too long at 6:35 and the two and a half minute closer "In Memory" feels like it was tacked on at the last minute to pad things out to album length, but aside from that I have few complaints.
"In For the Kill"
Black Sabbath survived the Seventh Star debacle, but just barely. Ray Gillen left the band during pre-production for the next album, forcing Iommi to clean house yet again. He assembled yet another new Sabbath lineup fronted by vocalist Tony Martin, who completed the vocals on 1987's The Eternal Idol and remained in the band for four more studio albums (89's Headless Cross, 90's Tyr, 1994's Cross Purposes and 95's Forbidden) and a live disc (1995's Cross Purposes Live box set). Martin's track record makes him the Sabbath vocalist with the second longest tenure in the band, right behind the mighty Ozzy Osbourne himself!
Like Seventh Star before it, The Eternal Idol was ignored when it was first released but over the years it has slowly climbed the ranks to become another one of Sabbath's "underrated" albums. Recent re-issues of Seventh Star and Eternal Idol expanded them to two-disc sets. The Seventh Star bonus disc features a live recording from the ill-fated 1986 tour with Ray Gillen taped at London's Hammersmith Odeon, and the second Eternal Idol disc features album cuts with Gillen on vocals that were recorded prior to his departure from the band. Sadly, Ray passed away in 1993.
I don't know how Tony Iommi looks back on the Seventh Star experience these days, but in my humble opinion it's an underrated album that's deserving of another listen. If you happen to come across it in the bargain CD bin like I did, give Seventh Star a chance...you may be surprised at how good it sounds after all these years.
© 2013 Keith Abt