Willie Nelson: The Crazy Old Outlaw
It seems like being crazy, or out of his mind is a topic Willie Nelson has often addressed in his songs, especially in the early days of his "overnight success" as an artist. It took many years and many records before he suddenly shot to fame by releasing that number one with a bullet, his 18th album, Red Headed Stranger.
I don’t actually think he is crazy, but I bet he’s had his insane moments and done a few crazy things. Then, so have a lot of us. I know Willie's long and illustrious career has taken some crazy turns. As one of the original "outlaw country" artists, Willie Nelson helped revolutionize country music.
It is amazing to me that, after all these years, when people think of a song about being crazy, the first one most people think of is “Crazy,” sung by Patsy Cline in 1962. I imagine that most true Willie Nelson fans know that Willie wrote that hit song.
Back in those days, he could only dream of the super stardom he achieved in later years. Then a struggling songwriter, Willie also recorded “Crazy” in 1962. It was on his debut album ...And Then I Wrote. Willie’s version of the song didn’t get much acclaim, but it was to his benefit that Pasty had such a huge hit with it.
Crazy followed on the heels of another song that Willie wrote and somebody else made a hit. "Hello Walls" was a huge hit for Faron Young in 1961.
While Willie Nelson had success as a songwriter in the early days of his career, he didn’t get a lot of recognition as a musician. He recorded over a dozen albums with RCA records. He did get on the country music charts a few times, but overall Willie was frustrated. He wanted more creative control over his music.
Outlaw country was a sub-genre of country music that blossomed in the '70s and early '80s when some country artists rebelled against the slick, overproduced Nashville sound which had dominated country music.
Kris Kristofferson later told him the song 'Shotgun Willie' was 'mind farts.' Willie thought of it more as clearing his throat.
While being crazy is not specifically mentioned in "Shotgun Willie," it does sound like he has a tenuous grip on reality.
Phases and Stages
Willie signed with Atlantic records in in 1973; his first album with them was Shotgun Willie. It was a very different style than the albums he’d made with RCA. Waylon Jennings and Jessi Colter collaborated with him on the project playing guitar and singing on the album.
Shotgun Willie wasn't a huge commercial success, but having the freedom to play music the way he liked it energized Willie. It got good reviews and attracted a younger audience. A concept album, , soon followed. It is still one of my personal favorites. It tells the story of a divorce; side A is the woman's story, side B the man's perspective. These are considered some of the first “outlaw country” albums. They marked a huge change in the direction of Willie Nelson’s career. Phases and Stages
Red Headed Stranger
After the success of his recordings with Atlantic Records, Willie signed a contract with Columbia Records. They promised him complete creative control over his work. His next concept album was Red Headed Stranger. Through songs, the album tells the tale of a preacher who kills his wife and her lover (and some other people) after she leaves him.
The recording is a stark departure from that old Nashville sound. It has been described as "bare bones" mostly featuring Willie's sister Bobby Nelson on piano and Willie singing and playing guitar. Most of the songs are covers, including the hit single "Blue Eyes Cryin' in the Rain." They are loosely stitched together by the theme song penned by Willie, "The Time of the Preacher."
Red Headed Stranger was a blockbuster among both country music and mainstream audiences. It was certified multi-platinum. It made Willie Nelson one of the most recognized names in country music.
He loved her so dearly, that he went out of his mind, when she left him for someone, that she'd left behind.
"Time of the Preacher" from Redheaded Stranger
"I’d Have to be Crazy"
Willie's second album with Columbia, released in 1976, was The Sound in Your Mind. Many of the tracks on this record were not written by him. "I’d Have to be Crazy" was written by his friend, Steven Fromholz, who also sang back-up on the song.
Still, it seems perfectly suited to his voice, and it sounds as if it could have been written about him. I can picture him doing the things described in this song.
"I'd Have to be Crazy" from The Sound in your Mind
I'll Always Love the Old Outlaw
Willie has gone on to make a lot of good records, and maybe some not so good. As the '80s and '90s rolled around, and Willie Nelson got used to fame and fortune, he didn't have much to rebel against anymore. I felt like he got a little more lazy and a lot less particular about his song choices.
Who can blame him really? What with being sued by the IRS and being a big star, a cannabis activist, and then the health issues he's had recently, I guess he's had his hands full. I'm not saying he doesn't still do good music, but for me I don't think it can ever match those crazy, long-ago days when I was young and he was an outlaw.
I’ve Always Been Crazy
OK, I know I'm reaching here. This isn't even a Willie Nelson song, but it is a song by his good friend, partner in crime and fellow outlaw, Waylon Jennings. And it is a great crazy song. Just think of it as a bonus.