How Eddie Van Halen Changed Rock Guitar Forever
Van Halen Arrives
Van Halen’s self-titled debut album hit the streets in February of 1978, and rock guitar would never be the same. Released into a climate dominated by disco, punk and touchy-feely singer/songwriters, Van Halen brought the band's flamboyant Sunset Strip sound and attitude to a rock world begging for something new.
The album featured the band's most legendary lineup of David Lee Roth (vocals), Michael Anthony (bass), Alex Van Halen (drums) and the incomparable Eddie Van Halen on guitar.
Van Halen went on to sell over 10 million copies and take its place among the top rock guitar albums of all time. Many hard-core Van Halen fans regard the record as the band's penultimate contribution to the hard rock world.
Eddie’s incredible tone and style, already well-known on the Strip, brought him instant fame as the hottest young guitarist in rock. His career would go on into four decades, and Van Halen would eventually become the biggest band in the world.
But there would also be turmoil and hardship amid an endless battle of egos.
The legend of Eddie Van Halen is one of an innovator, an icon and, maybe, a genius. The path of hard rock music would forever change because of his contributions to the guitar world.
A Guitar Hero is Born
Many still remember the confusion and total awe they felt the first time they heard Van Halen. On every track Eddie ripped impossible sounds from his guitar, and it sometimes seemed like he wasn’t even playing the same instrument as everyone else. He had to be doing something different and rumors of hot-rodded amps and tricked-out guitars and effects pedals floated around the guitar community.
It turned out some of it was true. Eddie did work tirelessly on his guitars and other gear to get the most out of them.
But it was also true that Eddie was just plain better than everyone else. Inevitably guitarists around the world began to come to the same conclusion: The bar has been raised. It’s time to either quit and take up the saxophone, or get practicing that guitar.
And they were right. This brash young player they heard on the record would one day be recognized as the greatest guitarist of all time.
Thankfully, many young guitarists chose to follow his lead and kept on practicing. With Van Halen, the then 21-year-old Eddie Van Halen kicked off a guitar revolution, and for decades players have emulated his style. Some went on to expand on the template that Eddie had laid down, form their own bands and make their own history.
The shred generation brought some of the greatest guitarists rock music has ever known to the forefront. Van Halen started it all.
Eddie’s guitars are a big source of interest for fans and players looking to get some inside secrets. He himself built the main guitar he used on this album and eventually became famous for, the Frankenstein strat. It consisted of a scrap Charvel Strat body and neck, fitted with a custom-wound Gibson PAF pickup and various Fender parts.
He did this because, unlike today, there really wasn't anything on the market back then that played like a Strat but had a thicker tone. Next time you worry about whether or not your guitar is good enough remember that Eddie Van Halen built his out of junk parts!
There are plenty of rumors about Eddie’s early gear, but one thing that seems to be consensus is that he also used a ‘70s Ibanez Destroyer on much of the first record. He later cut a chunk out of it, and VH enthusiasts now know this guitar as the “Shark”. His experiment negatively changed the tone of the guitar, to Eddie’s chagrin.
The Shark (which had a stop-bar tailpiece) would have been more stable as far as tuning goes. It’s reasonable to think that if he loved the tone as much as the stories say he did he may have used this guitar whenever the whammy bar wasn’t required.
How fascinating to think that the legendary “brown sound” originated with an Ibanez guitar!
A Van Halen Solo From the Early '80s
Van Halen I: Track by Track
1. Runnin' with the Devil (3:36): The song starts out with what sounds like a car flying down the highway with the horn blaring. Maybe the band is warning us of what’s about to happen. It’s interesting that Van Halen opens up with this song, as it’s probably the weakest on the album. Eddie gives us nothing here, but maybe a little peek. It’s a decent song with a solid rhythm track, but the fireworks are yet to come.
2. Eruption (1:43): This is the track that caused millions of kids to lock themselves in their bedrooms with their guitars. If Running with the Devil was the lob of the softball, here Eddie bashes it out of the park. The first time you hear it you're left asking yourself, "What just happened here?" The story goes that Eddie used to play this and other solos with his back to the audience to hide his tricks. The two-hand tapping, the Echoplex dive-bombs, even that chewy, semi-phased tone must have been alien to the crowds at the Whisky back in the 1970s.
3. You Really Got Me (2:38): This is a cover of the Kinks's 1960s hit, with a little Eddie flavor to make it special. The band covered several popular songs on their early albums, the alleged theory being that if they started off covering a hit they were already half-way there.
4. Ain't Talkin' 'bout Love (3:49): The arpeggios making up the intro riff and verse section, along with the solos, give this one a bit of a Spanish feel. The smashing chords in the chorus ooze with brown-sound tone and the chilling interlude makes you believe Dave really has been to the edge once or twice.
5. I'm the One (3:47): Eddie just plain smokes throughout this swinging track. With a catchy chorus and several soloing opportunities it may be the most under-rated gem on Van Halen, maybe even rivaling Eruption when it comes to his skills.
6. Jamie's Cryin’ (3:31): One wouldn't feel right describing a Van Halen song as "sassy" but this sure comes close. It's all about the tone on this track. Speaking of tone, Tone Loc stole this riff . . . er, I mean, sampled this riff . . . for his 1988 hit Wild Thing. Sheesh!
7. Atomic Punk (3:02): Once again we're shaking our heads and wondering if that's really a normal guitar Eddie is playing. After shrugging off the initial "Huh?" brought on by a little phaser and pick scraping, we settle into a really mean-sounding piece. And a note here: Listen to the tone Eddie grabs on the four-note passage that follows under the verse. That's hands, not gear.
8. Feel Your Love Tonight (3:43): After the streetwise angst of the previous track, Feel Your Love Tonight lightens things up. This is the tune you crank when you're cruising along in your convertible on a summer day. Total California vibe!
9. Little Dreamer (3:23): An almost sorrowful tune, and there's that tone again. This song probably reminds us all of someone we once knew who never seemed to get things right. Or, maybe it reminds us that with the right amount of tenacity we can squeeze incredible sounds out of our guitars. Either way, it’s a great tune.
10. Ice Cream Man (3:20): Another swinger that begins with a bluesy acoustic riff and morphs into an all-out shred fest. Eddie at his finest and another Van Halengem. VH would go on to include this type of bluesy acoustic feel in a few tracks on their albums that followed.
11. On Fire (3:01): The album concludes with not just a bang, but perhaps something more akin to two eighteen-wheelers smashing head-on at full speed. Along with some tasty solos, Eddie whips out a monster main riff on this one, and again it's all in the hands. It's mean, it's heavy and it leaves you wanting more.
Van Halen II and After
And those who wanted more would not be disappointed. Van Halen II followed in 1979, and while it has not achieved the legendary status as the debut album it is still an amazing record.
Songs like Dance the Night Away,Women in Love and Beautiful Girls continue to get pop radio airplay to this day. Relatively obscure tunes like D.O.A and Somebody Get Me a Doctor proved VH still had the edge, and Spanish Fly showed us Eddie knew his was around an acoustic guitar as well.
More genius followed. Women and Children First came in 1980, and Fair Warning, likely the band’s darkest album, in 1981. The release of Diver Down in 1982 was a bit of a disappointment for some fans.
Aside from the incredible track Cathedral and the upbeat Little Guitars, most of Diver Down consists of cover tunes and filler.
In 1984 Van Halen would achieve the biggest success of their careers with a little help from MTV. The single Jump (with Eddie on keyboard) put the finishing touches on the band’s stardom, and the accompanying album appropriately titled 1984 rocketed up the charts.
Unfortunately one of the Van Halen’s greatest tests would soon follow. David Lee Roth’s choice to pursue a solo career left them without a vocalist, and put the band’s future in question.
Eddie Van Halen’s influence on the history of rock guitar is undeniable. Music was changing fast in the early 1980’s, as legions of young players attempted to emulate their new guitar hero. The word “shredder” soon became part of our vocabulary as a kind of guitar arms race was underway.
Many of the bands now disrespectfully referred to as “hair bands” are direct extrapolations from the Van Halen model: the flamboyant singer, the gunslinger guitarist, fun music and the party-hard attitude. Unfortunately, those bands are sometimes remembered more for the way they dressed and the power ballads they put out. The fact that there were some absolutely incredible guitar players during the glam metal period is often overlooked.
George Lynch, Warren DeMartini, Vito Bratta, Reb Beach. Eddie paved the way for these guys and countless others. When the grunge fad hit in the early ‘90s it sadly became uncool to play guitar well.
Fortunately this dark time has passed, and young players are back to discovering what shred is all about.
Van Halen Today
Van Halen Lives On
Most people know the rest of the story. Van Halen continued on after Dave with a pretty talented guy named Sammy Hagar, and the band set off making more incredible music for the next couple of decades. But that relationship too would fall apart, and Sammy, along with bassist Michael Anthony, would eventually find themselves on the outs with the Van Halen brothers.
Van Halen isn’t done yet. Dave is back, and their album A Different Kind of Truth is getting some media attention and mainstream radio airplay. Michael Anthony is replaced on bass by Eddie’s son Wolfgang. Anthony apparently has aligned himself with the Sammy Hagar camp down in Cabo, and seems none the worse for wear if YouTube can be believed.
Eddie shows brief glimpses of Eddie-ness on the new record, but the desperate ambition that dripped from his earlier work has not been seen for quite a long time. However, this is still Van Halen, and the new album does have much of that same old vibe. Did anyone really expect less?
It’s impossible to guess the future for Van Halen, but if we’re lucky they’ll stick around a little while longer. Business issues and health problems have made the going tough in recent years. But no matter what happens these guys have nothing left to prove. Van Halen is a band that has seen and done it all, but the debut album is where it all started. In the three-plus decades since its release they would go on to become rock royalty. But before MTV, and Sammy, and Monsters of Rock, there was this first album, recorded by four guys that made their name on the Sunset Strip.
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